Tuesday, March 8, 2016

Drawing the Lines: Editorial cartoons show that the more things change...

Editorial cartoons show that the more things change...



TIME MOVES in circles. For proof of this, go visit the exhibit called Drawing the Lines, on view at the Lopez Museum and Library in Ortigas until July 8, and see how things change -- and don’t -- through a series of drawings.

  
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UNTITLED by Liborio Gatbonton, cartoon. The Manila Chronicle, Feb. 7, 1867 -- LOPEZ MUSEUM
Drawing the Lines features editorial cartoons made by Filipino artists Danilo Dalena, Neil Doloricon, E.Z. Izon, Dengcoy Miel, Dante Perez, Jose Tence Ruiz, and Pinggot Zulueta whose work was seen in local newspapers and magazines. Not mentioned, however, among the lineup of exhibitors is Manila Chronicle’s renowned cartoonist Liborio Gatbonton, who started his career in the 1940s.

“The exhibit gives a critical view of our history. Why does it seem to be repeating?” said Thea Garing, visual arts and public programs coordinator of the Lopez Museum and Library.

Even a cursory look at the drawings shows their continued relevance: one by the Manila Chronicle’s Gatbonton shows Manila traffic as a tangle of string -- back in 1967.

The cartoons -- some contained in a special casing because they are brittle and need special care -- from the 1950s until 2000s, may cover over six decades but their themes are still relevant today. The subjects are obviously recurring: hunger, social inequity, American soldiers in the Philippines, the plights of overseas Filipino workers, and oil prices, among others.

Drawing the Lines draws the line between today and yesterday, re-examining the past while giving context to the present. After all, editorial and political cartoonists are illustrators of life, thanks to their artworks that mixed representation, opinion, and personal style.

The exhibit, which is divided into six themes, also aims to show that editorial cartoons are legitimate artworks like paintings, said Ms. Garing.

The first gallery displays the artists’ drafts, to illustrate the struggles and difficulties the artists faced in creating cartoons that would speak to their audience. 

In an adjacent room, the process in which the drafts made it to the newspaper is shown, back when technology like Photoshop and modern layout methods were not available. The audience learns about such things as “copy-paste” -- words and images back then were cut out one by one and pasted on a dummy.

Another room, focuses on the cartoons’ themes like Filipino identity, heroism, and the justice system. The drawings go back from the time of former Presidents Manuel Roxas until Gloria Macapagal-Arroyo.

There’s also a special room that is a mock-up of the old newsroom of the Manila Chronicle. It features preserved newspaper clippings, photographs of journalists, and a display of an ancient typewriter.

That the newsroom is included in the exhibit should come as no surprise: Eugenio Lopez, Sr., after whom the museum is named, owned the Manila Chronicle before the paper -- which was founded in 1945 -- was closed by Ferdinand Marcos in 1972 when he locked the country down under Martial Law.

The audience can start anywhere and will still end up with one realization: History does repeat itself. The question is how closely.

For more information about the exhibit and the services of the Lopez Museum and Library, call (02) 631-2417 or e-mail lmmpasig@gmail.com.

NCCA celebrates 83 artists whose work brought honor to the Philippines in 2015

Arts & Leisure


Posted on March 08, 2016 05:34:00 PM

NCCA celebrates 83 artists whose work brought honor to the Philippines in 2015



WHAT DOES it mean that more than 80 Filipino artists won in various international prestigious competitions last year? It just goes to show that the art in the Philippines is alive and thriving.

ACTRESS Nora Aunor led 83 other honorees at the NCCA’s Ani ng Dangal which celebrates artists who brought honor to the country by winning abroad. -- NCCA
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To conclude National Arts Month in February, the National Commission for Culture and the Arts (NCCA) recognized 83 Filipino artists who earned international awards in 2015, in the annual Ani ng Dangal awarding ceremony.

Veteran actress Nora Aunor, a third time awardee, led the roster of winners. She won two awards last year: Best Lead Actress in a Foreign Film at the 3rd St. Tropez International Film Festival in France in May, and a lifetime achievement award for her filmDementia at the 2nd ASEAN International Film Festival and Awards (AIFFA) in Kuching, Malaysia in April.

“Movies have become the instrument for a country to promote awareness of its culture, tradition, and beliefs. I want to show that the Filipino movies and the Filipinos have depth... Unfortunately, our movies may have been put on a pedestal by international award-giving bodies, yet the Filipino audience doesn’t have the opportunities to see them,” she said in Filipino.

With this, she appealed for three things: monitoring of a talent fee scheme to protect artists and the people behind the camera; secure, fair, and prioritized play dates at movie theaters to protect them against Hollywood movies; and for the government to allot a budget for directors, especially new filmmakers, to make their movies.

“Some directors, especially those who are starting, have to borrow money to start a movie,” she said.

The Ani ng Dangal (Harvest of Honors) Awards recognizes Filipino artists -- individuals and groups -- who in the previous year won at any international awards that went through rigorous judging and not through online voting alone. The 83 artists honored this year come from different fields: one for architecture and allied arts; one for broadcast arts; 45 for cinema; seven for dance; three for dramatic arts; 14 for music; and 12 for the visual arts.

Also an awardee is Cherie Gil, who bagged two best actress trophies for her films Manaand Sonata, at the 4th Madrid International Film Festival in Spain in July, and at the 2ndAIFFA in Malaysia in April, respectively. Her most recent film, Hele sa Hiwagang Hapis (A Lullaby for the Sorrowful Mystery), directed by Lav Diaz, got the Silver Bear Alfred Bauer Prize at the 66th Berlin International Film Festival. The eight-hour film costars John Lloyd Cruz, Piolo Pascual, Alessandra De Rossi, Angel Aquino, and Ely Buendia.

“Art defines and feeds our soul,” said Ms. Gil at the NCCA award ceremony. “The recognition is a stamp of approval that encourages artists to continue their work,” she said in mix Filipino and English. She hopes many Filipinos will be able to watch critically acclaimed local movies, especially the independent films.

The other winners for cinema are: Aiko Melendez, Albert Chan Paran, Allen Dizon, Benjamin Tolentino, Brillante Mendoza, Carlo Enciso Catu, Epy Quizon, Emilio Garcia, Joseph Israel Laban, Jun Robles Lana, Lemuel Lorca, Sid Lucero, Liza Diño, LJ Reyes, Louie Ignacio, Micko Laurente, Ralston Javier, and Richard Gomez.

Also honored were the makers of award-winning films Ang Huling Cha-Cha Ni Anita, Ari,Balikbayan #1, Bambanti, Boundary, Bwaya, Children Show, Dementia, Ekstra, In Nominee Matris, Kanlungan, K’na, the Dreamweaver, Lihis, Mana, Magkakabaung, Paraiso, Princess Urduja, Purok 7, Red Lights, Ruined Heart, Sundalong Kanin, That Thing Called Tadhana, The Waves, Wawa and Yolanda.

GMA 7’s Front Row was honored in the broadcast arts category. and Rachelle Ann Go will be recognized in the field of dramatic arts.

For the dramatic arts, one of the awardees is Rachelle Ann Go, who was not able to claim her award personally. The actress bagged the Broadway Worlds award as the best featured actress in a musical for her role as Gigi in Miss Saigon last year. Now she’s back in the Philippines to play Fantine as part of the international touring production of Les Misérables which will open this month. Also honored with actor Bernardo Bernardo and Broadway producer Jhett Tolentino.

In the field of dance, the awardees were: the Bayanihan National Folkdance Company, the Halili-Cruz School of Ballet, Jamaica France Jornacion and Lawrence Santiago, Klivert John Mendoza, Sayawatha, and Upeepz.

In the field of music, the awardees were: the Aleron Choir, Anna Tabita Abeleda-Piquero, the Ateneo Chamber Singers, Boschorale, Imusicapella, Los Cantantes de Manila, Ryan Tamondong, Triple Fret, the University of Visayas Chorale, the University of the Philippines Concert Chorus, the University of the Philippines Manila Chorale, the University of Santo Tomas Singers, Acapellago, and Kammerchor Manila.

In the visual arts, the awardees were: Ana Katrina Miranda, Ananda Wisely, Herbert Bagolbagol, Jamia Mei Tolentino, Jamille Bianca Aguilar, John Herrera, Jophel Botero Ybiosa, Maria Angelica Tejada, Mandy Javillonar, Robert Anton Aparante, Ruston Banal, and Trisha Co Reyes; and Christian Salandanan in the field of architecture and allied arts.

The growing number of Filipino artists who continue to carve a name for themselves here and abroad and win while doing so, encourages the artists to continue their craft, said NCCA Chairman Felipe de Leon, Jr. -- Nickky Faustine P. de Guzman

The art of pouring a beer

Arts & Leisure


Posted on March 02, 2016 05:23:00 PM

The art of pouring a beer


Nickky Faustine P. de Guzman


“THERE’S MORE to bartending than just serving you a drink,” said bartender Jordan Bernarde as he carefully wiped the excess beer froth from a glass. He is one of the three Filipino bartenders who won the chance to compete at the regional Stella Draught Masters -- an international pouring ritual competition -- in Kuala Lumpur in May.

BEHEADING, or removing the froth from a glass of beer, one of nine steps to pouring the perfect glass of Stella Artois beer.
Mr. Bernarde, Raniel Dy, and Eduardo Mayani II will represent the country and compete against representatives from Singapore, Japan, Malaysia, and Thailand.

“We have the same skills [as the other competitors] but I think our Filipino hospitality will set us apart,” Mr. Bernarde said as he put the glass of beer down carefully, as if it was a delicate baby.

Well, maybe it is. While many Filipino beer drinkers drink carelessly straight from the bottle or from a large mug, apparently, like wine drinking, there’s a science and art to enjoying a cold glass of beer -- at least for Stella Artois, a 650-year-old sophisticated beer brand from Belgium.

“We believe in local beers. We’re not here to replace them,” said Stella Artois South East Asia Manager Philip Tan. The brand is aware that San Miguel Corp. holds the loyalty of the majority of the Filipino beer drinking community. “But maybe, if you have friends coming over from abroad, you may want to serve a premium brand, especially on an important occasion,” he said.

Belgian beers (Belguim has been brewing beer since as early as 12th century) are traditionally served in special glasses to draw out the flavors and aroma of a beer. For Stella Artois, the secret of a good beer lies in its special stemmed glass called the “chalice.”

There’s a calculated way of pouring a glass of beer, so said Mr. Tan. In fact, there are nine steps to a beer ritual. And this ceremony was carefully demonstrated by the bartender winners on Feb. 25, a holiday, so many people were able to witness, and learn, this art.

A good glass of cold beer starts with a clean slate. Called the “purification” process, the chalice is cleaned and rinsed with cold water to allow the glass to reach the same temperature as the beer. “A good beer should always be served cold,” said Mr. Tan. He said the Belgian beers travel 30 days oversea before reaching the Philippine. The bottles are placed in a special storage to keep them fresh.

After purification comes the “sacrifice,” or the act where the beer tap is opened in a single swift motion to let the first drop flow (the “sacrifice drops”) before finally holding the chalice at 45 degrees under the stream of beer. The angle makes the beer roll around the glass.

Then comes the process called “liquid alchemy” or holding the chalice by the stem without the nozzle tap touching the glass.

The bartenders must always make sure that the logo faces the customer. This seemingly mundane, yet important ritual process is called the “head.”

Now comes the “removal” process, when the bartender fills the chalice with beer. A connoisseur needs to make sure that the beer slightly overflows the chalice.

The “beheading” process that follows next is the art of allowing the excess liquid to overflow. The froth that forms after pouring a glass of beer is called a “head.” A head cutter is used to smoothen the foam.

In the “judgment” process, the bartenders make sure that the foam or head is not too thick or thin. It should be no more than two fingers thick. The head is important because it adds in the flavors (and perhaps texture)of the beer.

After the perfect beer is poured comes the “cleansing” process -- the act of cleaning the bottom of the glass so it is not sticky.

Finally, the last act is the “bestowal,” which, as the term implies, is the signal for you to enjoy and savor the drink. Cheers! -- Nickky Faustine P. de Guzman

Friday, February 26, 2016

FVR on our future

FVR on the future

By Nickky Faustine P. de Guzman
“I’ll be around in 2030, I don’t know about you,” former President Fidel V. Ramos told reporters on Feb. 19, six days before the 30th anniversary celebration of the 1986 People Power Revolution, during the launch of a new book. Stood on a stool to elevate himself over the heads of the attendees at Kamuning Bakery’s Pandesal Forum, he held up the book called 2030: One World, One Community, One Family, which is a collection of his essays and speeches.
FVR on the future
His book, he said, “is the ultimate aspiration [of the world], but especially for the Filipino generation.”
At “87 years young,” the former President, one of the People Power heroes, is still witty and vibrant. The press conference might have been the unveiling of his newest endeavor, but it was also a venue to give his views on national topics.
WHY DO WE CELEBRATE PEOPLE POWER?
“Beyond the annual celebration, do we really try to remember why that transcendent, God-inspired event happened?” he said in his speech. “And do the younger ones, particularly those born after 1986, who make up a large percentage of our population today, even understand why the non-violent EDSA People Power Revolution took place? Why did more than a million Filipinos armed only with their convictions, democratic faith, and God’s protection, come out in defiance of overwhelming odds most likely to suffer sudden death or grievous injury?”
It’s because we wanted to make a stand, he said. People Power isn’t a one-time thing either, he added.
While the People Power Revolution was the country’s exclamation point ending well over a decade of repression and hostility, “it must be seen as just the beginning,” he said.
His book is a beginning, created to promote and achieve the United Nation’s 2030 Global Goals for Sustainable Development, including the end to poverty, hunger, water unavailability, and gender inequality, and promoting sustainable living through inclusive economic growth, peace, justice, and sustainable living.  
“We must be like the stock exchange,” said Mr. Ramos — who before his fateful role in overthrowing the dictatorship of Ferdinand E. Marcos, served in the top ranks of the Armed Forces of the Philippines — while motioning a zigzag pattern with his hands, “it is upward, but hindi daang matuwid (straight path).”
“’Yung daang matuwid, kung sino man ang nag-imbento nyan, hindi nag-aral ng physics. (Whoever invented ‘the straight path’ didn’t study physics.) Because of the force of gravity, ang daan na pinakamatuwid(the straightest path) is going to hell. There’s no straight line unless downward, which is going to hell,” he stressed.
HOW IS PEOPLE POWER RELATED TO ECONOMICS?
“The concept of People Power is also useful in the economy. When I became the president, I said, we must grow the economy like cooking abibingka (rice cake). May apoy sa ilalim at ibabaw. (There’s fire above and below). Below, is the people power: agriculture, fishing, and mom and pop businesses. Sa dami niyan ang lakas niyan (With so many people, this is strong). Ang apoy sa ibabaw (The fire above is) leadership, networking, marketing, education, science, and technology.Kung nagsama yan, aangat ang economy at magiging competitive (If those two are together, the economy is rise and become competitive).Pero di pa nangyayari dahil marami palpak na leader. (But it’s not yet happening because of many leaders who are failures.)”
DO YOU THING THE YOUTH DO NOT CARE ABOUT THE EDSA REVOLUTION?
“It’s not the youth’s fault if they are disconnected with the EDSA Revolution, but of their elders and ancestors. Me, I always give lectures to the youth. We have a road show, which started in June 2015, in 25 colleges and universities. We’re going to Mindanao. So far, we’ve been to Luzon and Visayas. The values of EDSA are development, cooperation, education, and international friendship.”
HOW SHOULD THE NEXT PRESIDENT DEAL WITH CHINA?
“China must be made to understand that we’re not acting alone. We are part of the democratic world. And this was brought about by our model during EDSA 1986 that ejected a dictatorship without violence. That model still holds. If you look at countries in the Middle East, there’s too much violence, suffering, and bloodshed. These must be avoided. This is our path toward avoiding bloodshed with any country in the world, with and between, the two super powers. Your foe in the world map is not another country my friend, it is Zika virus, Ebola, HIV, AIDS, dengue…”
SO 30 YEARS AFTER THE BLOODLESS REVOLUTION, WHERE ARE WE HEADING?
While Mr. Ramos is optimistic, he said we need revolutionary changes.
“The trouble with the Philippines is that we adopted the US style of presidential system,” said the former President, who started his career in 1946 as a cadet under former President Manuel L. Quezon.
“The American presidential system has not worked in the Philippines. We should try something else. We must be parliamentary, because, first, we are not a compact land mass, hiwa-hiwalay tayo (we are scattered). What we need is more local authority but greater connectivity. Not just in communication and transportation, but in culture and patriotism,maniwala kayo sa mga sundalo (believe in the soldiers).”
He said the people tend to falter repeatedly each new era. “After brilliant triumphs, we appear to fall short again and again in the aftermath.”
The former President, who was wearing an orange long-sleeved shirt and his military cap with badges pinned on it, predicted we might fail again as a nation: “If we content ourselves with flawed policies, greedy bureaucrats, and self-serving political dynasties at this time of new opportunity in the competitive world of the 21st century.”
With the coming national elections, he stressed that we need to look for competent leaders “who must work 25/8. [They should] figure how to work that out, because new problems come in every day.”
There are five  2016 “presidentiables” gunning for the highest position in power, including Sen. Miriam Santiago whom he beat with a small margin in the 1992 presidential national election.
The former President advises voters: “After 30 years from EDSA we should [have] umangat nang malayo (risen far). Ang hanapin natin sa bawat political unit, mayroong competence, marunong sa governance, management, bukod d’yan may integrity, transparent, and [is] honest (What we should look for in each political unit is competence, one who knows governance, management, and aside from that has integrity, transparent, and is honest).”
Mr. Ramos has been a vocal supporter of Congresswoman Maria Leonor G. Robredo, who’s running as vice-president. He said her late husband, Jessie Robredo, was his “model of Filipino mayor, who must be looked [up to] by other mayors.”
As for his choice for president? Laughing boisterously, he told reporters to ask him again some other time.
In summary, according to the president, if the country is to traverse the upward and right albeit crooked path, we need three things: unity, solidarity, and teamwork.
“We must be able to translate our unity and solidarity into action; that means the ability of people, of community, of government, of the nation… to work as one team to achieve a brighter future.”
2030: One World, One Community, One Family is published by Ramos Peace and Development Foundation Inc. Visit www.rpdev.org for book inquiries.

Encouraging young readers

Encouraging young readers

By Nickky Faustine P. de Guzman
READING is supposedly a physical affair. People are meant to touch, feel, smell, and highlight a book or a magazine. But thanks to smartphones and social media, humans, according to a Microsoft study, now have an attention span of eight seconds, which is one second shorter than that of a goldfish. Reading, whether online or in print, seemingly becomes very taxing.
“This is why every page should be a cliffhanger,” renowned children’s book author and Don Carlos Palanca awardee Augie Rivera, Jr. said at the launch of Children First Storybooks on Feb. 19.
Encouraging young readersWith the aim of promoting reading, the importance of physical books, and encouraging imagination among kids, United Nations Children’s Fund (UNICEF) has launched Children First Storybooks, a collection of six books written in English and Filipino which deal with children’s rights and dreams. Each book has colorful illustrations to go with it.
Mr. Rivera is the author of the bestseller classic Ang Alamat ng Ampalaya (The Legend of Bitter Gourd), which was adapted into a play last year. For the Children First Storybooks, UNICEF republished his 1997 book Ang Bata sa Basket, which tells the story of three frogs that find a baby in a basket along a river. Determined to find the child a parent, the frogs learn that good parenting requires more than just good intentions.
Reading a physical book promotes comprehension and empathy among bookworms, said experts. Among children, reading encourages them to be creative in language and expression by putting themselves in a character’s shoe.
“The first five to six years of children are important because these will shape the rest of their lives. Kids learn language quickly through hearing and singing songs and having stories told or read to them. Having a supportive environment in the formative years will help them get ready for school and toward life-long learning,” said UNICEF Philippines representative Lotta Sylwander.
Besides Mr. Rivera’s classic tale, UNICEF republished four other children’s books: Ang Sabi ni Nanay, Ang Sabi ni Tatay (by Sacha Calagopi, with new illustrations by Jaime Bauza); Ang Dalawang Haring Siga (by Rene Villanueva, with new illustrations by Iori Espiritu); andYaya Niya, Nanay Ko (by Ma. Corazon Remigio, with new illustrations by Nicole Lim).
Anchoring the collection is the new book, Anita, The Duckling Diva, which actress and UNICEF Celebrity Advocate for Children Anne Curtis wrote. UNICEF said they didn’t have to think twice when Ms. Curtis expressed her interest in writing a children’s book as her social media influence, according to Ms. Sylwander, can encourage young readers. Ms. Curtis has 4.5 million followers on Instagram and 8.31 million on Twitter.
“It’s a lot of me inside the book,” said Ms. Curtis, who made five drafts and five revisions before finishing her first book. Her writing mentor was Mr. Rivera.
Anita, the Duckling Diva highlights the struggles of a young duckling whose introversion conceals her hidden singing talent, and how she tries to gain confidence on stage and in life.
“I’m very happy to write my first every children’s book, which I hope can help children particularly with their self-confidence and self-esteem,” said the actress, who said she grew up insecure about her lips. But she eventually learned to accept, love, and highlight them. She hopes her readers learn to love themselves.
The entire collection of Children First Storybooks is available for a minimum donation of P500 at the locations listed below. Proceeds go to UNICEF kids.
Feb. 22-27
South Supermarket
– Filinvest
Feb. 22-28
Centrio Mall
Marquee Mall
Fairview Terraces
SM Bicutan
SM Marikina
Solenad 2
Shell — SLEx
Northbound Binan
Save the Date:
Bridal and Debut Fair,
SM Aura
Feb. 26-28
SM Jazz Mall

15 key personalities discuss history in new EDSA Revolution documentary

Arts & Leisure


Posted on February 24, 2016 06:03:00 PM

15 key personalities discuss history in new EDSA Revolution documentary


  

FILMED 10 YEARS ago for a thesis requirement, former first lady Imelda Marcos, in full makeup and a glamorous dress, talked to the camera: “Everything is a priority... including enemies and garbage... He was a priority.” She was referring to the late Benigno “Ninoy” Aquino, Jr., detained during Martial Law, who wished to go abroad for an operation instead of going to the Philippine Heart Center (one of the First Lady’s projects). Within the next 24 hours, Ms. Marcos said on the video documentary, they were already processing his papers.

A PROMO PHOTO for Discovery Channel’s documentary People Power: 30 Years On which airs tonight. -- WWW.FACEBOOK.COM/DISCOVERYSEASIA
But she said she had to ask permission from her husband, dictator Ferdinand Marcos, first.

This snippet, showed on Feb. 23 at a press preview, is just one of the many never-before-seen on national TV accounts by key players in the historic event that is the 1986 People Power Revolution. 

To be shown today, 9 p.m., on the Discovery Channel, People Power: 30 Years On is arguably the most extensive documentary about the bloodless revolution told from the point of views of its key personalities. It includes flashback videos and newspaper clips.

What makes it meatier than other documentaries is its interviews with numerous important players during those four days on EDSA: 

• Ms. Marcos; 

• former President Corazon Cojuangco Aquino, Ninoy Aquino’s widow; 

• former President Fidel V. Ramos, who was the Vice-Chief of Staff of the Armed Forces at the time, and whose impending arrest along with Defense Secretary Juan Ponce Enrile triggered the People Power Revolution; 

• Senator Gregorio Honasan, then with the Reform the Armed Forces Movement (RAM) and one of the coup plotters against the Marcos regime; 

• Senator Aquilino Pimentel, Jr., an oppositionist in 1986; 

• Francisco “Kit” Tatad, who had been Marcos’ Minister of Public Information through much of the Martial Law period; 

• Bishop Soc Villegas; 

• former Congressman Butz Aquino, Ninoy Aquino’s brother and one of those who, along with Jaime Cardinal Sin, called the people to come to EDSA

• the late Fr. James Reuter, Sr., who was involved in the underground radio station, Radio Bandido, which reported on the events of that historic week;

• Manuel Quezon III, now with the Presidential Communications Development and Strategic Planning Office;

• journalist Cheche Lazaro

• Gen. Vic Batac and Col. Red Kapunan, who were members of RAM; 

• Prof. Luis Teodoro; 

• the late June Keithley, a Radio Veritas broadcaster who became the voice of Radio Bandido; and,

• Sr. Sarah Manapol, dubbed as “the lady in white” who provided information to the US Embassy during the EDSA Revolution while working with Fr. Reuter.

Originally called Laban: The Meaning of EDSA People Power Revolution, the documentary was the idea of producer Sally Jo Bellosillo for her masteral degree in Trans Atlantic Studies at the University of Birmingham in England. The documentary was first shown in schools.

“Then we changed the score of the music, simplified some of the script, and condensed it down to make it more accessible... we’re going to show it locally, but at the same time, it has to be relevant in South East Asia[n audience because] not everybody understands much details about the Philippines,” said executive producer Emile Guertin.

People Power: 30 Years On is narrated by Trey Farley, who also visited key locations around Metro Manila significant to EDSA in order to introduce an up-to-date perspective on each chapter of the EDSA story, peppered with his own personal recollections of witnessing the revolution as a young boy.

The original documentary included sections on EDSA II and III, which they had to edit out “because it could get complicated because you move away from the main topic,” said Mr. Guertin. Besides, he added, South East Asian audiences might get confused by these subsequent political events.

To fill in those sections that had been edited out, the team interviewed Ballsy Aquino-Cruz and Pinky Aquino-Abellada -- daughters of Ninoy and Cory Aquino and sisters of current president Benigno “Noynoy” Simeon C. Aquino III -- three weeks ago. The two said that Filipinos, especially the youth, are lucky because they can now “vent online.” “We hope you don’t get to experience it (Martial Law),” they said. -- Nickky Faustine P. de Guzman

Friday, February 19, 2016

How much is forever?

How much is forever?

By Nickky Faustine P. de Guzman
Jennifer Lopez was lying when she sang, “love don’t cost a thing” — because it does.
While love makes the world go round, it also burns a hole in one’s pocket, because, from courtship to formal relationship, until marriage and family planning, love entails cash. Lots of it.
In a pre-Valentine forum held on Feb. 10 at Quezon City’s Kamuning Bakery, financial experts talked about the stages of love and their costs.ECompareMo.com, a financial comparison web site, spearheaded the forum.
So, how much is your forever?
How much is forever?
THE COSTS OF DATING
Hotels, flower shops, and restaurants emerged victorious in the game of love that was the Valentine’s Day. And the men, oh the men, they ended up with empty pockets; the price they have to pay for a girl’s time or her “yes!”
According to one of the speakers, Burn Gutierrez, a stock market coach and Angat Pilipinas Coalition for Financial Literacy chairman, below is an estimate of a guy’s dating expenses.
• A movie ticket can cost around P300 to P1,500.
• Chocolates, the imported ones, are at least P700.
• To go with the sweets, a nice bouquet of roses costs at least P2,000. (If you’re a persistent suitor, sending flowers every week may cost you P48,000 in six months.)
• A fancy dinner costs at least P1,000.
• And oh, public transportation costs at least P7. (That is, if your lady love lives nearby).
While not every woman is fond of getting flowers and chocolates and balloons (others may prefer books or pens or whatever) still, the main point is, love has a price.
But women aren’t only receivers, they are generous gift-givers, too. A decent polo shirt costs at least P1,000 and a pair of today’s fancy rubber shoes is around P3,000 and above.
“The important thing is to know much money do you make a month. It is important to estimate your expenses… Check your proportion income, costs shouldn’t go beyond your earnings,” said Mr. Gutierrez who used take the lady who would become his wife on dates at the Marikina River Bank. “We’d only buy canned tuna and rice and happily eat together,” he said of those dates.
Alas, the game of love isn’t always about rainbows and butterflies.
“Even heartbreaks are costly, too,” he said.
Based from a Wall Street Journal report, Mr. Gutierrez said that mending a broken heart not only affects a person, but also a company. He said the workplace cost of heartbreak in the US is $75 billion per year because of absenteeism, increased errors, and productivity loss.
“Time is a slow healer. You should do something to surpass the ache. Pursue happiness,” he said.
But then again, it’s almost impossible to pass the time and pursue leisure without breaking the bank. Travels here or abroad for soul-searching are costly. And so is buying a pint of ice cream every day to cheer yourself up.
“I know of a friend’s friend who died from heartbreak. The hidden cost of heartache also includes stress and a weaker immune system,” he added.
In the end, he could only advise lover boys to “Just pray and prepare.”
THE COST OF MARRIAGE AND FAMILY
But are we ever ready for what tomorrow entails, especially when a couple decides to tie the knot?
“We’re never prepared,” said Aya Laraya, a former banker and teacher at the Ateneo de Manila University, and the founder of Pesos and Sense, a company that promotes financial literacy, “It’s because we’re never taught in school. That’s why when you grow older, you don’t know how to plan a family. Do you need insurance? Do you need to invest in a condo?”
The internet, while a pool for knowledge, is also a tool for “social costs of investing,” he said. Meaning, when you see everyone at the beach or your friends’ new gadgets, the tendency is to spend on these too. The result: Majority of the Filipinos scramble to make ends meet.
“You choose not to prosper when you have a choice because you’re earning. Lahat naman maraming gastos eh. Kung hindi mo alam hawakan ang maliit mong sweldo, hindi mo alam pag lumaki na ito. (Everything has a cost. If you don’t know how to handle your small salary, you’ll never know how to handle it when it grows),” he said.
Mr. Laraya said there are four common misconceptions about nest eggs: Savings are enough; I will start investing when I get rich; “Facebook University”; and the “I’ll do it later because I still have time” mentality.
By Facebook University, he meant people feel like they know everything just because of what they share and see on Facebook.
“Just like when it comes to love, aral muna (study first),” he said.
Invest your time in studying and preparing, be it considering life insurance or a business plan, before deciding to act on it.
“We always want a shortcut, that’s why we make wrong choices. Acquire knowledge first, then decide. It’s part of our culture to blame. We entrust someone our money and say, ‘Oh ikaw na bahala sa pera ko ah’ (‘you take care of my money’). And end up blaming others for wrong decisions,” he explained, when asked if there’s a formula to money-making and investing.
He said there’s no formula and it depends on what one’s goals are.
“It’s not a characteristic of Filipinos to do canvassing. We don’t do this,” added George Siy, president and CEO of the Marie-France Group of Companies.
He said that before couples invest on something, it pays to do some research first, and a lot of thinking after.
“Millionaires spend their time getting educated more by reading books or from other people. One hundred percent of the people who failed spent their time for entertainment and leisure, not for education,” said Mr. Siy, the man behind the beauty companies Marie-France and Facial Care Center.
Keep abreast of your surroundings, and start now, he said. Thanks to the growing economy and the low interest rates, the businessman said today is the best time to invest in a house and lot or take a loan to start a business.
“If you have an idea for a business, then prioritize it because it’s a productive asset. Always productive asset over unproductive asset, but unproductive asset before depreciating asset. Always in that order. You can always commute. When you have a car, you have to pay for its insurance, gas, and maintenance. Plus, the model gets old over time. The moment you want to sell a car, it’s always 20% less than you bought it. But if you’re going to sell a house, the mortgage is bigger,” he said.
But perhaps, the biggest investment one could ever make is on one’s health, agreed the three financial experts. After all, if couples and their children are healthy, they are happier and more productive.
“If we’re looking at a time of life, the middle age should look at possible disasters like health, accident, and death insurances. It’s more expensive to be sick,” said Mr. Siy.
Down the road, the three men agreed that this is the main question one should be prepared to answer before tying the knot and starting a family: Can you support yourself?
Mr. Laraya said: “You have to be complete — including financially — before you get married. Make sure you can start on your own, financially. Can you handle it?”
Because, at the end of the day, after friends turn to lovers and, later, life partners, couples would soon realize that love alone cannot pay the bills.